Polhøgda in summer
Construction at Polhøgda started in April 1900, and when the house was finished in August 1901, Nansen moved in with his pregnant wife and 3 children.
Nansen had drawn the construction plans himself, with assistance from architect Hjalmar Welhaven. Nansen wanted his new house erected in a kind of "Norwegian castle style, in stone". Changes along the way made the plans less castle-like and more inspired by Lawnhurst, the home of his friend Henry Simon near Manchester in England. By giving Polhøgda a touch of English 'mansion', Nansen got a representative and stately home with room for entertaining.
Externally the mansion is reminiscent of the early Italian renaissance, whereas the shape of the windows and the tower draw our thoughts to medieval Romantic churches and castles.
Polhøgda in winter Polhøgda in winter
Photo: Jan Dalsgaard Sørensen
Polhøgda in spring Polhøgda in spring
Polhøgda. Courtyard side, with main entrance Courtyard side
With main entrance.
Photo: Jan Dalsgaard Sørensen
Polhøgda and Fridtjof Nansen's grave

Fridtjof Nansen's grave
Fridtjof Nansen died at home, on 13 May 1930, while enjoying the spring sun on the balcony seen in background of this photo.
Before his death, Nansen had clearly expressed that he did not wish a church burial. He wanted to be buried in the garden, under "my good birch tree", as he is reported to have put it. In the early 1930s, private burials were not allowed in Norway, and it took the Nansen family and the Norwegian Academy of Sciences six years to obtain permission to establish a private tomb for the late national hero.
Fridtjof Nansen's son, the architect Odd Nansen, had prepared a plan for the tomb which was approved by the authorities. On 10 October 1936, with the King in attendance, the new tomb on the slope to the south of the house was inaugurated, and the urn containing Nansen's ashes was finally interred .
Photo: Jan Dalsgaard Sørensen

Polhøgda, ground floor living room Ground floor living room
The English mansion style is evident in the large central hall, in two storeys with a gallery and an open fireplace.
Here, there were frequent parties, large and small, for relatives and close friends. Eva Nansen's in-house recitals were famous.
Almost all the furnishings, paintings etc. at Polhøgda today have been acquired after the Second World War.
Photo: Maryanne Rygg
Upstairs Upstairs
In Nansen's time, there were bedrooms all along the gallery. Today, they provide office space for researchers and staff of the Fridtjof Nansen Institute.
Photo: Maryanne Rygg
Dining room at Polhøgda Dining Room
With Erik Werenskiold's wall paintings illustrating the Norwegian folk song "Liti Kjersti". (Detailed photographs of the wall painting are found below.)
Photo: Maryanne Rygg
Polhøgda. The Ladies' Drawing Room Ladies' Drawing Room
With Erik Werenskiold's portrait of Fridtjof Nansen.
Photo: Maryanne Rygg
Fridtjof Nansen's Study Room Fridtjof Nansen's study room
The study room is situated in the tower, with a beautiful view of Fornebu and the Oslo Fjord. When Nansen was at work there, there were standing orders not to disturb him. The room has been preserved basically as it was when he passed away in 1930.
Photo: Jan Dalsgaard Sørensen

Liti Kjersti
Liti Kjersti
Liti Kjersti
Liti Kjersti
Liti Kjersti
Liti Kjersti
The dining room is light and festive, in part thanks to Erik Werenskiold's wall paintings (1904-1907), illustrating the Norwegian folk song "Liti Kjersti". This folk song tells of little Kjersti who is seduced by the Elf King, gives birth to his children, is spellbound and then drinks the "drink of forgetfulness", thus losing all memory of her previous life.
Photocopies: Jan Dalsgaard Sørensen

Fridtjof Nansen portrait 1889 Portrait, 1889
By L. Szacinski, Christiania's leading photographer at the time and photographer to the Royal Court. It was only natural that he should also be photographer to the Nansen family.
The large portrait hanging at Polhøgda is dated 1896, but was actually taken in 1889, upon Nansen's return from Greenland.
Photocopy: Jan Dalsgaard Sørensen

Portrait of Fridtjof Nansen by Erik Werenskiold 1893 Portrait, 1893
Nansen ready for his great North Pole expedition.
Drawing by Nansen's life-long friend Erik Werenskiold.
Photocopy: Børre Høstland. © The National Museum of Art, Architecture and Design
Fridtjof Nansen's boot and knife Fram expedition
Nansen's boots and knife, used during the 1893–96 Fram expedition in the Arctic Sea. The boots are on loan from the Fram Museum, the knife has been donated by Norwegian actor Knut Wigert, who portrayed Nansen in a 1968 movie.
Photo: Jan Dalsgaard Sørensen
Nansen and Baden-Powell Return from the Arctic
After his miraculous rescue in 1896, Nansen travelled down the Norwegian coast, receiving a hero's welcome at every port. Here he is seen on board Sir George Baden-Powell's yacht Otaria, heading south towards Tromsø. Nansen's wife Eva has come north to join him.
Photocopy: Jan Dalsgaard Sørensen
Fram memorial plaque The heroes of Fram
A memorial plaque to the participants of the Norwegian North Pole Expedition 1893–1896.
Photo: Jan Dalsgaard Sørensen
Fridtjof Nansen portrait, 1897 Portrait, 1897
By London photographer Henry van der Weyde, taken in 1897, a few months after the return of the Fram expedition.
Photocopy: Jan Dalsgaard Sørensen
Bathymetrical map of the Arctic Ocean Bathymetrical Chart of Northern Polar Seas
by Dr Fridtjof Nansen
Throughout the Fram expedition, Nansen kept the crew busy carrying out scientific measurements, including ocean depth soundings. This bathymetrical map of the Arctic Ocean was one of many scientific results published after their return.
Fram expedition map Scientific work
Nansen spent years going through the scientific results of the Fram expedition, before publishing them in the 6-volume The Norwegian North Polar Expedition 1893-1896: Scientific results edited by Fridtjof Nansen, issued 1900-1906. This map showing Fram's progress through the Kara Sea is one of several preliminary versions, with numerous handwritten corrections and comments by Nansen.

Eva Nansen Eva Nansen
Fridtjof Nansen married Eva Sars in 1889, and they had five children together. She was a gifted romance singer as well as a pioneer of female skiing. Her early death in 1907 was a hard blow to Nansen.
This photograph was taken in Stockholm in 1895, during Eva's last concert tour. Fridtjof Nansen kept it in his study room, where it can still be seen today.
Photocopy: Jan Dalsgaard Sørensen
Sigrun Munthe Sigrun Nansen
Sigrun Munthe became Fridtjof Nansens second wife in 1919, but spent many unhappy and lonely days at Polhøgda while her husband travelled widely on humanitarian and diplomatic missions.
It is believed that Nansen and Sigrun had been romantically involved even before the death of Eva Nansen. This lithograph was drawn by Nansen himself, probably around 1905.
Photocopy: Jan Dalsgaard Sørensen

Fridtjof Nansen's ambassador's uniform Ambassador
After Norway became independent of Sweden in 1905, Nansen became Norway's first envoy to the United Kingdom, living in London from 1906 to 1908.
His ambassador's uniform is still preserved at Polhøgda.
Photo: Jan Dalsgaard Sørensen
Nansen passport The Nansen Passport
In 1921, Nansen devised the Nansen Passport, an identy card for stateless refugees. The document was recognized by many European states, and helped hundreds of thousands of stateless people to immigrate to a country willing to receive them.
This specimen was issued by Bulgarian authorities in 1928 to Russian refugee Pavel Kiprianovitch Kastorny, and enabled him to travel to France to start a new life there.
Photo: Jan Dalsgaard Sørensen
Fridtjof Nansen's Spitsbergen map, 1920 Map of Spitsbergen
Also in his later years, Nansen never lost his interest in the North and in science. He drew this artistic map of Spitsbergen (Svalbard) for his much delayed book A Journey to Spitsbergen in 1920. With hand-written pencil notes.
Photocopy: Jan Dalsgaard Sørensen
Morgenbladet: Fridtjof Nansen receives Nobel Peace Prize Nobel Peace Prize
"Peace Prize awarded to Fridtjof Nansen. He will use it for international relief efforts. 'The next war will be the doom of Europe'."
Morgenbladet (Oslo), 11 December 1922
Photocopy: Jan Dalsgaard Sørensen
Fridtjof Nansen self-portrait, 1924 Self-portrait, Christmas 1924
"To John Gorvin
with hearty good wishes for 1925, in gratitude for his wholehearted and valuable colaboration in passed years
from Fridtjof Nansen"

Photocopy: Jan Dalsgaard Sørensen
Fridtjof Nansen portrait by Erik Werenskiold, 1938 Portrait
Painted by Nansen's friend and neighbour, the painter Erik Werenskiold, in 1938, eight years after Nansen's death.
Photocopy: Jan Dalsgaard Sørensen
Fridtjof Nansen portrait by Erik Werenskiold, 1924 Portrait
By Erik Werenskiold, around 1924.
This drawing was discovered in the attic in the 1980s, and is probably the only Nansen portrait that has been kept at Polhøgda permanently since Nansen's days.
Photocopy: Jan Dalsgaard Sørensen
Fridtjof Nansen, by Dagfin Werenskiold Portrait
By Dagfin Werenskiold, son of Erik Werenskiold, probably in 1924.
Photo: Jan Dalsgaard Sørensen
Fridtjof Nansen self-portrait, 1930 Self-portrait, 1930
Lithograph, 1930. Authenticity attested by Fridtjof Nansen's son Odd Nansen.
Photocopy: Jan Dalsgaard Sørensen
Aftenposten: Fridtjof Nansen dies Nansen dies
"Professor Fridtjof Nansen suddenly passed away today at noon due to heart failure in his home at Lysaker"
Aftenposten (Oslo), 13 May 1930
Photocopy: Jan Dalsgaard Sørensen


All photographs may be reproduced freely on the condition that the Fridtjof Nansen Institute and the photographer's name are credited.